Amigo’s
Viewed on Virgin Media Shorts
Written by Mondieu
We
start by seeing three friends ‘Amigos’, who are out partying and drinking
on
a Friday night. They leave the club, very drunk, one is playing the flute,
they are laughing about how they will get home. A stranger gives them £10
for a
cab. We then see a homeless woman sitting on the floor. She plays the
flute
that the men dropped but she doesn’t get any money, even though her
situation
is much more desperate.
I chose this film because I
thought it has an influential idea, highlighting
the way that many people
take their life for granted, when there are other
people in much worse
conditions.
Representation
Two social groups are
presented, one working class and the other underclass.
The working class are
the three ‘Amigos’ and the lower class is the homeless
woman. They are in
the same setting, with the same situation: they are stuck in
town, without
any money, yet despite the similarities we see the shocking
difference
between class. One of the differences is their reactions to the
situation.
The three men laugh about it, whereas we see from the woman’s facial
expression that she is angry (10), which is furthered with her body language
when she punches the screen at the end. Perhaps this is because the men talk
about finding a “taxi” to get “home”, whereas the woman has to live this
life
(that the men are laughing about) everyday.
We start with shots of the men. There is a close up of them taking shots (1),
and throughout
this series of shots, props of beer cans are used to highlight
that they are
getting drunk (3); a typical Friday night for the ‘lads‘. This is
extended
with the use of the lighting, we see there are colourful, flashing
lights in
the background to signify that they are at a club. Yet, lighting is
also
used in a different way, the key light is used in the 3 point lighting
effect, to highlight features of their faces. This makes them look sweaty,
reinforcing their body language of dancing, jumping and drinking. The screen
is
split three ways, to unite them, signifying that they are friends out
together
(2). We also see this in the initial shot where they are taking
shots, as they
have put the three glasses together to make a toast,
symbolising each of them,
out together. The handheld camera effect also
allows the audience to feel
involved, as the jostling presents them dancing,
allowing the audience to be
involved in the party atmosphere.
Then when they go outside, we are reminded that they are drunk through the way
that the diegetic sound is distorted, allowing us to hear what they are
hearing. Also through body language; they can’t walk straight and they are
exaggeratedly hugging each other (4). The camera is jostling again to
represent
their movements, they can’t stand straight, it also repeatedly
cuts to
different shots to perhaps show that they keep forgetting things,
and to
reinforce that they are disorientated, wondering how to get “home”.
Their costume represents them as working class. One has a waistcoat, and
the
other still has a blue tie on, perhaps this is their work uniform and
they went
straight out from work. Furthermore, their status is also shown to
us through
dialogue. At the beginning we hear what sounds like a phone call
exchanged
between them, talking about how they will get the “weekend
started”, implying
that they are meeting up after work. All of this allows
the men to conform to
stereotypical ‘lads’ who work, but hang out with their
friends, getting drunk,
on Friday’s.
The homeless woman’s representation is in stark contrast though, as she is
represented as a
stereotype of a homeless person. This is mainly shown through
costume and
props. She has thick clothing, wrapped up in lots of layers as she
is out in
the cold for the night (7). Furthermore, these are tattered and in
poor
condition, showing she doesn’t have very much money. She us surrounded by
rubbish, for example the empty water bottle next to her, and her stuff is
tied
up in carrier bags; these are her possessions yet because she lives on
the
street they are not well cared for, like her. She also has two dogs, who
are
whining so showing the desperate life they lead, but they also allow her
to
conform to the image of a homeless person as they are usually by
themselves,
with a pet dog for company (8)
The film deals with the important issue that there are many homeless people out
there, but they are
ignored. It is perhaps even trying to get the message
across about money,
and how there are better things to spend it on.
Narrative
The chronology of the film is cleverly manipulated. It is a linear narrative,
however the homeless woman (who represents the main issues of the
film) is not
introduced until nearer the end, allowing the audience to see
the film for the
first part, as a completely different genre.
We follow the men around on their Friday night antics. They are drunk friends,
they are laughing and we find them funny, many can empathise with them ,
also
thinking about drunken memories, where they are “stuck in a place” that
they
don’t know. Therefore the audience reaction could conform to that of a
comedy
genre, however, we are then faced with the homeless woman. There is a
very low
angle shot of the men calling for a “taxi” (6) then, we see a mid
shot of the
woman sitting there. The low angle of the shot could be a
metaphorical
representation for her class, but it also puts the audience on
the same
perspective as her: low on the ground, looking up to the working
class
people.
We are quite shocked to suddenly see a homeless woman, as it doesn’t conform to
the story so far. Perhaps the director has included
the woman late on so that
the audience feel bad for having previously been
laughing at the drunk men in
this situation.
This could conform to Steve Neale’s theory of ‘repetition and difference’. It
repeats conventions
of comedy, giving us humorous characters that we can laugh
at and situations
that we can empathise with. Then the difference is that (it
doesn’t just
twist a certain convention) but it actually changes the genre
completely.
This is hybridisation, which is commonly used in short films as
they are
often social realist, and so by having different genres, it means the
films
can convey different meanings. For example this film leaves the audience
confused and so that the message that they are trying to get across makes
more
of an impact, as it was so unexpected.
You could argue that Todorov’s narrative theory is present here. The
equilibrium is when the guys
are out having a good time. The disruption is when
they want to go home, but
they don’t know where they are. The resolution is
when the woman gives them
money so they can get home. This is a narrative that
usually satisfies the
audience as they finish the film with the knowledge that
everything will be
alright for the characters. However there is no resolution
for the homeless
woman as she is left there. This contrasts with the resolution
for the men,
and makes more of an impact on the audience as they feel guilty
for the
woman.
Genre
Originally we identify comedic conventions, however we then see that it changes
as there are serious issues
brought up, issues of homeless people, which
conforms to the genre of social
realism.
We see the issue with the homeless people, when the homeless person is in a
much worse situation then the men, yet they are still given
money by someone.
The similarity of props intensifies the audience’s shock.
The man has a beer
can, which the person puts a £10 note in (5). Similarly,
the woman has
something to put money in, however it differentiates to the
man’s by the
quality. It is a ripped cup, showing she has had it for a long
time, implying
that she has also been leading this rough life for a long
time (9). It is not
branded, unlike the man’s beer can, as the brand shows
that he has spent money,
whereas the woman’s cup is plain, reinforcing her
lack of “money”, reiterating
the fact that she needs to “make it”. Finally,
we see three pound coins in the
bottom. They are lone coins, and so look
meagre in the bottom of the ripped
cup, heightening the struggle for the
woman. This makes the audience disgusted
by the fact that the men are given
money, by a woman who waves her hand as if
the money is nothing to her (5),
when they can afford to drink at a club,
whereas the woman can’t afford
anything.
The other similar prop is the flute. The man is playing it for a joke, yet he
still gets money from it. Whereas when the woman plays it,
much better than the
man, she gets nothing (11). Could this be because she
is homeless, and is
ignored by the people walking by her, or because she is
of lower class so she
doesn’t get taken notice of anyway?
Another way that this applies to social realism is because of the class
differences.
She is lower class and so is treated differently. Her low class is
physically represented by the way that she is low in the shot as she is near
the ground, but also through sound. There is a point of view shot where we
are
looking at the people walking past the woman, watching from her
perspective
(12). The diegetic sound she hears is distorted, as she is low
on the ground so
she can’t here it. This could represent her isolation from
people because of
her class, from her position on the floor she can’t hear
or participate in the
conversations, metaphorically representing her
isolation from society.
Audience
People of all ages can watch this film, as the platform that it was distributed
filmmakers of all ages, as Virgin do competitions and give out awards for these films.
It is in the ‘Other’ section of the genre page, and so it is probably viewed mainly by people who are looking for original ideas with perhaps inspiring themes, or for people who want influences for their films. This could mean that their psychographic information could show that they are interested in raising awareness or supporting these inspiring ideas, such as how this film is raising awareness about homeless people.
They could be pleased by this film with the way that it does this issue justice. It shocks the audience, as they are not expecting this issue to be raised. It also portrays the men and other people in a negative light, and the though it doesn’t portray the homeless woman in a positive light, we still sympathise with her. We feel bad, this life makes her angry, with the way she punches the screen at the end.
No comments:
Post a Comment