Monday, 19 November 2012

Short Film Research - Mark

Media Homework – Advanced Portfolio Preparation
Roma (2012?)
Director: David Altobelli
Roma is based in Italy and has a romantic storyline. The film starts with a male character on a train station looking lost or as if he is looking for someone. Then he meets this girl on the train and the two of them seem happier after that. He then skateboards around a park to impress the new girl he has found and ends up sitting with her. She then takes him to a club to meet her friends and they end up clubbing after that. They then sit outside where she has gone and he is upset as if he has lost her again; and then goes off to walk to a beautiful landscape view where he finds she is at the top as well as if it was fate they have met each other again. But on the final shot is him on his own looking around as if he she has gone again so ends on a cliff-hanger.
I chose this film because it has a good narrative, and there are lots to talk about with regards to representation of the two characters, the genre it would be and also how the audience interpret the film. It also had a good setting which creates a romantic atmosphere to match the storyline.

Representation
·         A social group that would be relevant for this film would be the youth, as the characters are aged in the mid-teens and hold the characteristics of what teenagers do. Here we have two characters that appear to be in love who we can only tell have met by travelling around places to find each other.
·         This film doesn’t seem to be on IMDB but through the codes and conventions of the film I can say that it is a romance. Unlike most short films they have a hybrid of genres but this one only appears to have the one.
·         At first the male character is represented in a way that he seems lost, this representation would be a more modern one, as traditionally males know where they’re going and take control of the situation.  When the train leaves the station he is looking around as if he doesn’t know where he is, or he is just taking in the new scenery. He is seen to be a very active person as he is seen with his skateboard quite a few times which shows he is quite sporty.  


         This is shown as a positive representation as the girl with him seems to like it. He also treats the girl well which is a positive representation of males towards females, this is seen as more of a modern representation because he is seen treating her in a respectable manner in which wasn’t seen in traditional representations. He would also be the stereotypical man the girls would want to be with as he treats them well and is deemed to be quite fit. Although at the end, the final shot is of him on his own which suggests she has left him as she wasn’t right for him even though he treated her well. This action would be more modern representation of females as she is deemed to be leaving him instead of the traditional representation of him leaving her.   
The female character is the girl that appears to like the other boy in this film. She looks like the stereotypical girl that looks beautiful and is who men would like to be with. This isn’t represented too positively though as she appears to leave the male character quite a lot, as if she doesn’t have time for him; then at the end the final shot is him on his own which could suggest she didn’t like him in the end even though they got on so well in the film.
·         I don’t think the audience expected the girl to walk away from the man that often, as she leaves him when they are outside the bar and on the diving ledge; so the audience wouldn’t have shaped the representation of her to do that.

·         An issue this film deals with is love. The boy in this film seems to like travelling whether it is on his skateboard or by train, and he appears to have found that one girl; although she does keep walking away from him at the end they meet each other again, but the final shot is of him on his own which could suggest they left their separate ways.

Narrative
·         The plot of the story is that there is a man who likes travelling and skateboarding, who is also waiting to find the right woman in his life.
  He then meets a girl on a train, and they get to like each other by attending a club where she shows him off to all her friends. But she appears to have a problem, and keeps leaving him. They then meet up on a diving board as if it was fate they were both up there and get along fine. Until, the last shot where we see him on his own looking round which suggests she left him again.

With regards to the story we can’t tell too much either side of the plot, but we can have a good guess. The man likes to travel and I think he might have travelled quite a lot in his life, and has come to Roma where he appears to have found his love he has been searching for. He meets this girl and they both like each other, but things aren’t as he would like it to be. After she leaves him he then goes on travelling the rest of Italy where eventually finds his true love. That’s my guess at how the story works and that is what only the spectator can assume. We guess these elements of the story just through how the characters act, we can tell the boy likes travelling a lot because he is on a skateboard which suggests that’s what he has done in the past and wants to do in the future. The advantage of being able to deduce the story is that it keeps the audience engaged with the film and so that they can make up their own mind on what happened before and after.
·         This film has a linear narrative but does flashback to certain scenes that happened before in the film, but it’s linear enough that I can explain Todorov’s 5 stages:
Equilibrium
-       Where the man is on his travels, seen on the train and then on his skateboard living his normal life.

Disruption
-       The change of his normal life is when he meets this girl on the train, after that he starts to spend time with her.

Confrontation
-       He notices she has a liking for him and he likes her as well, so she takes him to a club where she shows him off to her friends and they have a good time.

Resolution
-       They then spend some quality time together in the club and then sat outside the club.



New Equilibium
-       A new problem arises when she first walks away from sitting down with him, by the looks on his face, without prior warning as to why. 
 Then they meet up on a diving board and everything seems back to normal; but when on the last clip we are seen with just the boy on his own as if she has left him again. That is where it ends, on a cliff hanger. The fact it ends on a cliff hanger means it’s unresolved means it doesn’t entirely fit into Todorov’s theory, but the first 4 stages do.

Additionally, Barthes action and enigma codes fit into this film as well. An example of an enigma code would be the ending: we are unsure whether the girl has left him completely or if she has just gone home, us, the spectator, will be asking these questions at the end which the audience will like because they are getting involved with the film.
Genre
·         The only genre I would say this film has is romance as that is the main theme; there doesn’t seem to be any codes that would be in another genre. I say there is only one genre because the man and the girl like each other and appear to be in love, but as we know at the end that might not be the case but love is the main case in this film.  

·         Short films usually have more than one genre which is called a hybrid as there is so much to fit into a small film, often codes and conventions cross over on genres to become a hybrid. But in the instance of this film there is only one genre: romance. A short film doesn’t have to be a hybrid, but is often the case, although in this film they appear to have pulled off just the one genre.
·         This film matches closely with Rick Altman’s theory on semantic and syntactic codes. With regards to being semantic, in a romance film you often link it to lovely landscapes, nice scenery and having a good time for example at the club.  This is exactly what happens in this film, there is wonderful scenery one of which is a lovely sunset shot, which can be seen as very romantic and convey's the genre of love to the audience. Also with syntactic we can say that the couple will meet, get to know each other then start spending time together; this also occurs in this film where they meet on the train, spend time together in the club and outside it and also on the diving board, but we don’t know the outcome of it all.

Audience
·         Who might be expected to see this film would be around 18-25 year olds who enjoy watching romance films and seeing a couple be happy with additionally a good story line that the spectator can easily follow. I think this would appeal to both genders, but maybe slightly more female as it’s more of a love story.
·         The audience might be pleased by the film because it has a very romantic storyline; two people meeting on a train and then falling in love. It’s because both of them look happy when they are together the audience will feel happy for them. Its only when she leaves him the audience will feel sorry for him the girl has left him on his own.

·         This short film was used to advertise clothing but is still classed as a short film as well. It has a really strong storyline built in and they have pulled it off really well as an advert and a short film. It’s still a short film as the audience don’t know its advertising clothing as they are getting pulled into the storyline.
·         David Altobelli has also directed adverts for Adidas, so what he does is create short films with a good narrative used for advertising products which is a very clever way of advertising.

Media Language
·         I think with a scene that is creative and interesting would be the last scene, where the man goes up to the diving board and the girl also turns up there as if it was fate they have found each other again. 

       The camerawork in this scene are lots of extreme long shots to show you the stunning scenery that they have chosen. The scene is very romantic with the slow motion shots whilst he gets up to the top, and then he turns around and his love is there. After that there are slow motion shots of them hugging and kissing and sets the romance mood with the beautiful sunset in the background. It really adds that effect of true love and adds that warming feel in your body. But right at the end we see a shot of just him on his own, this creates one of Barthes enigma codes in which the spectators don’t know if she left him, or if they are together and she just went home; those are the questions us as spectators are asking at the end of the film.


Love Tap (2008)
Director: Mike Goode
Love Tap is about a man who is trying to find love. He liked this girl in his office but he never talked to her and found out she got engaged. He was then told by his colleague to not let love pass you and to make the first move. He then is driving home and sees a blonde girl next to him driving and comes up to the lights and bumps into her so he then has her number. They then go onto get married, have kids etc; but then a twist! She says you never bumped into me you still have your foot on the brake, then goes back to the car scene where another girl from work bumps into him and that is the end.
I chose this film as it appears to fit into the Romcom genre and I thought it would be good to talk about a hybrid. Also it has a good narrative and a good twist at the end.

Representation
·         A social group that is relevant to this film would professionals at the organisation. It was Seth’s co-worker that told him he can’t wait for a girl to bump into him and to take opportunities when they come about. But in actual fact at the twist at the end he was chasing after the wrong girls and a girl bumped into him from his workplace and made the first move, not Seth.

·         The genre used in this film, according to IMDB is just comedy, but I would class this as a hybrid of Comedy and Romance: a Romcom. As Steve Neale said, texts often exhibit the conventions of more than one genre; which is why I would say it’s a Romcom.

·         Seth is represented as a character that chases after girls who are too good for him and appears not to have much luck in his love life. With the clothes he wears, he appears to be the archetypal stereotypical old fashioned person who is caught wearing a sweater another old person is wearing. When he sees the hot girl in the car, he takes off the sweater as to say that has been putting girls off him before and then he goes ahead to dream about them getting married, have children and grow old. Even when the dream is over and the girl bumps into him he finally finds his true love; so taking off the clothes he wore before when he couldn’t find love, turns out to be the right result for him. At first it was a negative representation as he was seen to be the guy that doesn’t find love but it turned around in the end.
Priscilla is the girl Seth thinks he has fallen in love with, as he bumps into her car it all starts from there. She is represented as the better offer for Seth after chasing after a girl he had no chance with. As it goes through the film she is represented to have the ideology of a traditional couple’s life and what every girl dreams of; having a loving husband, nice home, and children.
·         This film deals with the issue about love and sexuality. Seth was rejected by the girl he liked and it can put down your self-esteem and can make you think about your sexuality and who you love and who you have feelings for. But in the end he 
       crashes his post trolley into a girl, in which you can tell she likes him and the twist is at the end she bumps into his car as if they were made for each other when he bumped into her pushing the post trolley. So he realised once she liked him, he knew his charm for liking girls was still there.

         Because he bumped into her she thought the same, as if it was fate them two have been bought together in the office and then to meet on that same road later on. But in between that story is the issue of Seth not going for it as he was just dreaming what would happen instead of actually making it happen. 

       Seth’s ideology was to be with that blonde girl in the car and have a life with her, but back in reality it was never to happen.  

Narrative
·         The plot of the story is that a man (Seth) likes this girl that he can’t get, then bumps into another girl whilst he was driving as he was told he has to make the first move; they then go on to get married and have kids but then realise it was only his dream and she drives off. Then another girl from work bumps into him as she likes him and that is where it ends.
With regards to the story of the film we don’t know the full story but because the audience is actively involved we can take a good guess: there is a man (Seth) who has wanted to get with this girl for months and months but hasn’t had the guts to speak to her. When he finally does want to speak to her he finds out she actually got engaged. He is then told to make the first move. The next bit is the same as the plot until the ending where we can imagine the rest of the story will be they will get together and have that life he dreamed of and live happily ever after. The plot and story in this film relate because we don’t know the story but we can imagine what the story is just from the plot. I have managed to have a good guess at the story and that was just by watching the film. As the spectator can tell the story they get to know the film more and can get into it a lot better as they know the story and can tell how it will end in the future.
·         This film has a linear narrative until the twist at the end which would be the new equilibrium. This story links well with Todorov’s theory of classic narrative where he explains how classic and simple linear narrative are organised. I am now going to put the 5 stages into context with this film:
Equilibrium
·         At work, handing out the post as if it’s a normal day for him.

Disruption
·         When Seth finds out the girl he likes has actually got engaged.

Confrontation
·         Seth’s friend then tells him to make the first move, or I quote ‘to bump into the girl first’, to tackle his lack of love.

Resolution


·         When Seth is driving home from work he sees a girl and bumps into her car, then then go on to get married, buy a house, have kids and live a happy life.  

New Equilibrium
·         The new equilibrium is when he realises he was just dreaming and didn’t actually bump into her car and she gets away. A girl from work then bumps into him who likes him and that is the cliff hanger it ends on. The fact it ends on a cliff hanger means the narrative is unresolved and it doesn’t directly fit into Todorov’s theory, but the first 4 stages of the theory does. Many short films end without resolution a I found out with these two examples here.

Another theory that fits into this film would be Roland Barthes theory on action and enigma codes. These codes are questions that are raised by the spectators by watching the text. An example of an enigma code for this film would be the ending; us as the spectators are unsure on how Seth and the girl who bumped into him get on, whether they go on to get married or anything, so that would be an enigma code as it’s a question the spectators don’t have an answer to. An example of an action code would be Seth driving in the car waiting for something to happen.

Genre
·      Genres that are present in this film are romance and comedy; often called a romcom. A film which can fit into more than one genre is often called a hybrid. As Steve Neale said that texts often exhibit the conventions of more than one genre, and also as Rick Altman said; genres don’t have clear, stable identities and borders to classify a film by. 


·  Short films can often fit into more than one genre; because short films can often fit into more than one genre; it is such a small amount of time to do a film in, it’s hard to concentrate on just one genre, so often they are hybrids or two or more genres.



·      There are certain codes and conventions that are linked to genres, and these codes and conventions in this film are linked to romance and comedy. It has the generic love codes and conventions where one falls for another. On the other side, comedy, you have where Seth is playing at the pier. This would be an instance of comedy which shows the spectators they are having a laugh whilst being romantic. Also how it ends as well, where he is actually just having a dream and the girl ends up bumping into him. By using these codes and conventions, the audience can engage with the film as they understand what the genre is.

Audience
·         The age of which people would watch this film would be aged around 18-30 as its suited for teenagers as it’s not over the top with the romance and also the comedy element makes the film enjoyable whilst conveying a serious message. It’s also suitable for anyone older than teenagers too as you could relate the characters to yourself.  Gender wise, females would be the majority of the audience, but it’s not restricted just to them, some males that enjoy comedy mixed with romance and a good story line will enjoy this film too.
·         There are many ways the audience would be pleased with the film; the fact there is a sneaky twist at the end, also that it has a good narrative that you can easily follow, and also there is a good amount of comedy and romance mixed which gives the film a good vibe.

·         This film was produced for the Walt Disney Pictures Short Films division.
·         Mike Goode has also directed another short film called Multiple Choice which is also a comedy.

Media Language
·         The sequence I found which was interesting and which used lots of good features was where they ran to the door, he lifted her jumper over her head, then it cuts to doing the same at the wedding which was a good feature of a graphic match. This feature created a sense of manipulation of time going by to when they were at the pier and to getting married and the spectators might not have expected that to happen. This also shows that they are still together and are willing to get married and love each other.
 

Also one of Barthes enigma codes was also present there as the spectators don’t know what happened in between then and to the wedding, they don’t know how long after that they got married, they don’t know how fast their relationship was going and these can be important questions for the spectators to ask as it shows they are getting involved with the film. 


Sprockett (2012)
Director: Hazel Meeks
Youtube: http://www.youtube.com/watch?v=5ILT4PlZpQo&list=PLFuL9gpkIStXTK-Y3maWLWG0oWsfVMADv&index=9
This short film is about a few kids who want to get a prosthetic arm to play with but the old man who owned the scrap yard was wearing it. So one of the boys goes into the building to see if he can find one where he finds the old man and confronts him. They then pretend they are fighting over the arm so the other kids hear them shouting and hitting things as if they were fighting for the arm. He then finds a spare arm for him to keep and goes back out to the other kids and tells them that he beat him up to win the arm.

Representation
A social group that would be relevant is the youth. As there are three kids that are in their youth ages they hold the stereotypical traits of what teenagers do, and that is trying to be better than everyone else and beating up the elderly. But of course he doesn’t actually beat the old man up; he just tells his friends he does that to gain street credit.
The genre used in this film, I would say is social realism, as it relates to how the youth are these days. Because the genre is what happens realistically in the social world, this helps represent the kids as to what they are doing and how they act. The audience see what the kid is actually doing which isn’t hurting the old man, but the social realism comes from the kids outside who think he beat the old man up and that is what people thing young kids do to old people and therefore a realistic representation of the youth.
With regards to characters I’m going to talk about the kids and how they’re represented. They are represented as the stereotypical kids who go around beating up old people and stealing something in return as a group; but the kid who goes in and finds the old man I don’t think is represented as that, as he seems scared and vulnerable compared to the other two. So he acts as if he is the big man around his friends as he goes back and tells them he fought the old man off for his arm, but in reality he has a heart of gold and would never do that to an old man. This is a positive, more traditional representation for the boy as he didn’t beat the old man up, but a negative, more modern representation for them as a whole group that they would even talk about hurting an old man.
The audience realise throughout the film what the kid is doing and realises he has to live up to the fate of getting this arm or his other friends might ditch him, so he has to do it and act as if he fought off the old man for his friendship to stay intact and the audience recognise this when he tells his friends that he beat the old man up at the end.


Narrative
The plot of this story is that three kids are after a prosthetic arm in a scrap yard off an old man, so one kid goes into the yard, confronts the man in which they pretend the kid beat up the old man, he gives the kid the arm they were after and the kid tells his friends that he beat the old man up to earn the arm.
With regards to the story, as the audience, we can only guess that the kids have seen this old man with the arm before and are keen to get it off him. So they worked out a way in which they can get it and go to the scrap yard. The boy then goes into the yard to find the old man who confronts him. They then pretend the kid is beating up the old man so his friends think he is all that. Then he comes out with the hand in which he claimed he beat the old man up for it. After this we can only assume the boys go off and play with the hand with the kid’s reputation still intact.
The film has a linear narrative, it’s in chronological order and fits well into Todorov’s 5 stages, except from the last stage where the audience have to guess what happens next as the plot ends at the resolution:
Equilibrium
o The equilibrium is the kid telling the other kid what happens if he goes into the old man’s house.
Disruption
o The disruption is when the old man clicks his fingers as he knows someone is there.
Confrontation
o The confrontation is when the old man gets up and goes over to speak to the boy as he caught him.
Resolution
o When the old man gives him the arm and the kid walks out successful on his mission.
New Equilibrium
o When they walk off, we as the audience don’t know what they do after that, so it’s a mystery to us and we have to think that they will do next.
The fact that the film ends where they walk off means the audience are engaged in the film as they have to try and understand what they do next.


Genre
The genres that are present in this film are social realism and adventure. Like Steve Neale said, texts often hold the conventions of more than one genre. Additionally Rick Altman said that genres don’t have clear, stable identities and borders to classify a film by.


There are codes and conventions in this film for social realism and also adventure. It holds the codes and conventions of social realism through the way the kid acts when he comes out of the scrap yard. He comes out as if he has beaten up the old man just so his friends think he is cool, these are the stereotypical codes and conventions of how young people are today. As these codes and conventions are in the short film, the audience are then engaged as they get to choose their opinion of each character as we don’t get to know a lot about the characters, just the way they act; then they can apply their own stereotypes on what the kids are like rather than the director telling the audience how he wants them to think what the kids are like.


Audience
The audience expected to be this would be from 7-30 years old; as it falls in this category I would expect families to come and see this film over anyone else. Also anyone who enjoys adventure films mixed with some realism in a film.
There are a few ways that the audience would enjoy the film, with the twist in the middle where the old man pretends to be beaten up by the kid then ends up, then he walks out victorious and tells his friends that he beat the old man up to win the arm.
This film was short-listed for the final of the Virgin Media Shorts awards 2012, but unfortunately didn’t win.
Hazel Meeks is a short film director and has directed 4 other short films in the past leading back to 2005. She has worked with film and TV since she was 16 and worked with big companies like ITV and BSKYB. She has also worked as a publicist for Icon Film Distribution.

Media Language
The scene that contained interesting and creative techniques used was where the boy walks into the room where the old man is. As he is walking in there is non-diegetic sound present used to create tension. As he walks closer the music gets louder and louder to create tension for the audience. The old man then clicks his hands and says don’t move. As he gets up the music that created tension before comes back as he walks over to the little boy. Shot reverse shot is then used as the two speak to each other. One of Barthes enigma codes is also present here as the audience don’t know what the old man and the kid talked about as we cut to the two kids outside; all we know is that it was a plan to get the arm but we don’t know for sure what they said.


Mix Tape (2010)
Director: Luke Snellin
Youtube: http://www.youtube.com/watch?v=cbxOG9vKtIc 
In this film there is a boy who likes the girl next door, and creates a mix tape for her. He then goes to take it round to her but she isn’t in so he gives it to her mum to give to her. He then goes back home and next he hears the music playing from next door as she has put the tape on. They then dance in their own rooms to the music and at the end they both lay back to back against their walls.

Representation
Social groups that would be relevant would be the youth, more young children. The two children are roughly 10 years old maybe a bit more and shows that they are friends as he gave her the tape and then they are both dancing around to it afterwards.
 But this film could also be showing that the two like each other not just as friends, as the song has lyrics of ‘I wonder where my baby is tonight’ meaning this could signal they are talking about each other. This is represented in an interesting way as the audience could either see them as just friends or they like each other more, because they don’t show that they like each other, they just show them having a good time separately which could just mean they are friends and the audience gets to decide this themselves so they are more engaged with the film.


Genre
Genre’s that are present are clearly romance and friendship, even if they don’t like each other in that way, a sign that they are friends is clear in this film. This helps influence representation as it links to social realism, and as they might be at the age where they start to have boyfriends and girlfriends the audience can relate to this if they have kids themselves that have done it before. 
I’m now going to discuss the male child character in terms of representation. He represents a more modern field of masculinity against the more traditional traits a man holds. He is treating the girl nice by making her a mix tape then going round there and giving it to her which is a lovely gesture to do; a more traditional man wouldn't treat a girl as nice as that and might not have given the girl any gift at all. This is a positive representation on the man and shows that it is a more modern representation and how times have changed from the past.


Narrative
The plot of this film is that a boy makes a mix tape, takes it round to a friend next door who turns out to be a girl but she isn't in. so he hands it to the mother who offers him to come in and he says no. he then goes back to his house, goes up to his room all upset on his bed as he didn't get to see her; until she starts to play the mix tape then the two of them are jumping up and down on their beds to the music and enjoying themselves separately. 
As the audience we can only have a very good guess at the story, but we are told enough information in the film to have a good estimate on the story. We can tell that the boy knows this girl well enough to take round a mix tape and we can also tell that the mum knows the boy as well; we can assume that the boy has been round her house before as the mum asked if he wanted to come in and wait for Lily to come back. Afterwards we can only assume that as the last scene they were leaning back to back that their friendship is really strong or they have classified themselves as boyfriend and girlfriend.
Todorov’s 5 stages fit well into this film as well, as the film has a linear structure and is in chronological order, in which I will apply it now to this film:
Equilibrium
o The equilibrium is the kid making the mix tape
Disruption
o The disruption is when he goes round to Lily’s house and she isn’t there so he can’t see her. 
Confrontation
o The confrontation is when her mum takes the mix tape to give to her and she will tell Lily he popped round.
Resolution
o The resolution is when he is home and he hears her playing the music and then they dance together in separate rooms to the music.
New Equilibrium
o The new equilibrium is at the end as the music finishes and they are both sitting back to back on the wall. As we don’t know what happens next the audience have to guess.



Genre
The only genre that is clearly present is romance, there is one little bit where he walks out of his house that is comedy but other than that it’s mainly romance. Even on Virgin Shorts Website the genre they have classified for this is ‘other’. As Steve Neale said, texts often hold conventions of more than one genre and can often be a hybrid of two genres together. Also Rick Altman said that genres don’t have clear, borders to classify a film by, especially in this film. 

There are codes and conventions in this film for romance and comedy. For romance the boy doesn't actually say at any point that he likes this girl he went round to see, but the fact he went round with a mix tape suggests that he was trying to woo the girl of his dreams. There is also a sequence of comedy where the boy walks out of his house, and dramatic music comes on as if he is going to be walking a long way to complete his mission, but he just goes next door which I found quite funny. 

Audience
The audience I would expect to see this would be teenagers, from 10-18 years old, as they will be able to relate to the film easily and therefore will be more engaged with the film. I would also expect parents to come with the children as they would be able to relate to their own kids too. 
The audience would enjoy this film because everyone loves young kids falling in love, especially with the gesture the boy is giving Lily as the audience will find it really sweet. They will also like the fact that it’s not obvious they like each other, but the fact they are dancing to the same song in two separate rooms as if they were together. 

This film was shortlisted for the final of the Virgin Media Shorts awards 2010, but unfortunately didn't win.
Luke Snellin is a director of short films, and is known for Patrick, Disco and Jess//Jim which were also successful short films. He has also directed several adverts and music videos alongside his film work and was named in Screen International magazine as a 'Star of Tomorrow 2010'. His work has been broadcast on national television and 214 cinema screens nationwide.

Media Language
A sequence that I would like to talk about that uses good techniques that are interesting is the scene where the girl plays the music. Cross-cutting is used throughout this scene and the diegetic soundtrack also crosses over to the other clip. 
• As cross-cutting is used, it shows that both of them are jumping around on the beds and enjoying the music together but separately. After the sequence, it is shot as if the camera is in the wall and they both sit back against their walls as if they are back to back but they aren’t, but it’s to show they are getting closer, but not too close yet.



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